andrew tholl

violin/drums/composition/improvisation

new music for brass

Happy March Everyone.

I’m really excited about this month because I have not one, not two, but three new brass pieces being premiered between now and the beginning of April.

March 4th: My friend Chris Kallmyer will give a performance of i’ll stop when i take my last breath which is my new solo trumpet piece.  The program also includes music by Scelsi and Chris Kallmyer plus a performance by SCRIBBLE.

March 6th: Matt Barbier and Philippe Brunet will premiere poke and tickle, my new duo for trombone and trumpet, on Matt’s MFA recital.  The program will also include music by Michael Finnesy, Kurtag, Wolfgang von Schweinitz, Alvin Lucier, and Ben Johnston.

March 14th:  Philippe and Matt will give a second performance of poke and tickle on Philippe’s recital.  The program also includes works by Berio, Sir Peter Maxwell Davies, and Roger Reynolds.

March 30th:  Luke Storm will give a performance of my still untitiled quasi-solo tuba piece. The program also includes works by Wolfgang von Schweinitz, Ulrich Kreiger, Luigi Nono, and Nick Didkovsky.

All these shows are going to be awesome, and they will all start at 8:00p.m. and they will all be held in Roy O. Disney Concert Hall on the CalArts campus in Valencia, CA.

For anyone who can’t come to the shows but would like to see what’s going on you can check out the live webcast here: http://music.calarts.edu/ROD.html

music for 18 musicians – live

On Monday March 2nd I will be joining Eighteen Squared in a performance of Steve Reich’s Music for 18 Musicians. The show starts at 8:00p.m. at CalState Long Beach. I’ve been waiting for years to get a chance to play this piece so I’m totally excited.

let us remember: sinead o’connor – nothing compares 2 U

I was driving to a rehearsal this morning and Sinead O’Connor’s rendition of Nothing Compares 2 U came on the radio, and I was suddenly reminded how great this song is.  It ended up stuck in my head all day and decided when I got home that I needed to do a little research on it.  I was already aware that the song was written by Prince, but I had no idea it had been previously recorded before Sinead released it.  I always figured that Prince had written it for her and then started singing it himself after it had become a hit.  As it turns out, it was originally recorded by The Family.  So who are The Family?  They’re like a Prince outlet store.  He put the band together and wrote all the songs.  Mostly The Family was just a way for him to release more music, which is really just a way to make more money.  Please don’t take this comment the wrong way.  I have no problem with Prince’s capitalist stance.  In fact, I think it’s kind of awesome that he managed to start outsourcing way before anyone else really started doing it.  Prince was also way ahead of his time with his use of shorthand abbreviations  (e.g. to = 2, for = 4, I = symbol that looks like an eyeball) that have become so popular today though texting and instant messages.

The fact remains however that Sinead O’Connor’s recording of this song is pretty unbelievably great and the video is pretty unbelievably strange.  I just wanted to remind you all of this.

Sinead O’Connor – Nothing Compares 2 U

Who knew anyone could shave their head and still look that good.

I’ll miss you Lux Interior

I just discovered that Lux Interior, the lead singer of the Cramps, passed away this morning.  The Cramps were, and continue to be a huge musical influences on me.  My cassette copy of Bad Music for Bad People is totally messed up from being overplayed.  I purchased a new copy on CD last year, but I still really love that tape.  It’s amazing from beginning to end.

Please watch this video of the Cramps live from a mental hospital in 1978.  Why?  Because it’s amazing.

No one put on a show like Lux Interior.  He will be missed.

band of the week: animal collective – merriweather post pavilion

It seems like it’s sort of impossible to escape them now.   Merriweather Post Pavilion may very well end up being the best album of 2009.  This is what everyone is saying right now, and yes, I realize that the year is less than a month old, but this album is freaking awesome.  I’ve never really been a huge fan of Animal Collective, but I have thought that they’ve been getting progressively better with each album since I first heard them years ago.  They’ve put out a few individual songs that I thought were really great (“Bat You’ll Fly”, “Grass”, “Peacebone”)  however, it wasn’t until the release of Panda Bear’s Person Pitch (which I realize is just one person from Animal Collective but “whatever”) that I was really able to enjoy a whole album of theirs from beginning to end.  Merriweather takes all the really great elements of Panda Bear’s Person Pitch and then takes them a step further by making them poppy and accessible.  I’m sure some of the die hard fans will suddenly think they’ve sold out, but those people are just plain wrong.  Animal Collective has gone from being a sort of interesting art rock band with an occasional great song, to a really fantastic band with interesting compositional ideas that has created an album that’s brilliant from beginning to end.

Now I’d like to talk about a few of my favorite tracks and what I find interesting about them.

Track #2: “My Girls”

This song has proved to be the first “single” off the album.  I can’t hardly turn on the radio without hearing it.  I think KCRW plays it every hour, on the hour.  But that’s ok because this song is great. I’m still finding myself completely blown away by the beginning of this track every time I hear it.  Let me digress for a moment by talking about….Elliot Carter.  Now those of you who know me are probably aware that Mr. Carter is not my favorite composer.  Most the time I find it very difficult to sit there and listen to his music.  Elliot Carter is the kind of composer that I always thought was more interesting to talk about than to listen to.  And why is Carter interesting to talk about?  Because of METRIC MODULATION.  Whenever people talk about Carter in the academic sense, they always mention metric modulation.  This is because metric modulation is really awesome.  I love it.  But I never really thought Carter used it in the right way.  Now let me get back to Animal Collective, more specifically, the beginning of “My Girls”.  The piece starts out in a fast 4 time signature, but then a new pulse comes in over the top, with a relationship of 3 in the time of four.  Now isn’t this really just a big triplet over the bar.  Yes it is.  But then suddenly, that triplet becomes the beat, and we back in 4, only slower.  It’s a beautiful thing.  Mark my words…when someone finally decides that they should give me a job at a university and I am stuck with the job of teaching undergrad theory, I will use this song to demonstrate metric modulations.

Track 5: “Daily Routine”

Imagine what it would sound like if Brian Wilson and Bjork got together and wrote a song after listening to some early Philip Glass followed by some Erik Satie.  Thats kind of what this song sounds like.

Track 11: “Brother Sport”

I recently read an interview with Animal Collective which contained a long discussion over how they decided to close out the album.  Apparently there was a heated battle over whether or not this was the right choice to end things.  It’s a tough call.  It is arguably the best song on the album.  Now I’ve just spent the last 15 minutes searching the web to find out what this song is actually about.  Most of the lyrics are unintelligible, and there seems to be quite a bit of disagreement on the internet as to what they actually are (although most everyone agrees the song is about one of the members brothers). But that doesn’t really matter, even if you can’t understand what they’re saying, it’s obviously upbeat and positive.  It makes you feel good.  It makes my imaginary tail wag. Incidentally,  I would also like to point out that this song has a remarkable harmonic resemblance to Broadcast’s “Hawk” off of their Haha Sound album.  It’s one of my favorite Broadcast tunes.

I don’t have a rating system here on my blog.  I won’t give it two thumbs up or 5 stars, but I will say that I have not been able to stop listening to this album since I bought it on its release day.  If I was going to highly recommend anything, it would be this.

formalist quartet with mike kudirka and james sullivan

Tomorrow night, January 17th, I will be joining the rest of the formalist quartet and my friends Mike Kudirka and James Sullivan for the second concert of the Santa Cecilia Orchestra’s chamber series.  We’ll be playing Orlando Garcia’s Fragmentos del Pasado and Osvaldo Golijov’s The Dreams and Prayers of Isaac the Blind.  The concert will be at the Eagle Rock Center for the Arts at 8:00 p.m.  Hope to see you there.

live recordings: formalist quartet @ the wulf

the wulf

the wulf

The Wulf’s website is now current and up-to-date with recordings.  This includes the performance that the formalist quartet gave in the middle of Dec.  It was a great show with a fantastic audience…I’ll post pics soon, but for now the whole concert can be heard here (under the media tab), including the premiere of Art Jarvinen’s 100 cadences, with four melodies, a chorale, and coda(“with bells on!”).

Top 20 Songs of 2008

Here are my top 20 favorite songs, in no particular order, that came out in 2008.

1. Vampire Weekend – Ottoman

2. MGMT – Electric Feel

3. Sigur Ros – Gobbledigook

4. Phantom Planet – Quarentine

5. Deerhoof – Offend Maggie

6. Jay Reatard – No Time

7. Times New Viking – Drop Out

8. Stereolab – Self Portrait with Electric Brain

9. Department of Eagles – No One Does it Like You

10. Britney Spears – Womanizer

11. Kanye West – Love Lockdown

12. The Breeders – Spark

13. Ratatat – Falcon Jab

14. She & Him – I Should Have Known Better

15. Crystal Stilts – Crystal Stilts

16. The Magnetic Fields – California Girls

17. M.I.A. – Paper Planes

18. Daniel Corral – Cadential Variations

19. Lykke Li – Little Bit

20. Portishead – The Rip

Top 10 Albums of the Year

It’s that time of year where everyone is putting out their list of the top 10 albums of the year. What kind of respectable blog would I be running if I didn’t do the same? So here’s my favorites that came out this year, and in no particular order.

1. Girl Talk – Feed the Animals

Girl Talk has been blowing my mind since his Night Ripper release. It’s like John Oswald with longer samples. And a beat you can dance to.

2. The Breeders – Mountain Battles

One day I hope to live in a world where you don’t have to have to wait 7 years for every new Breeders album….although I find this album to be well worth it. The more I listen to it, the more I like it.

3. The Magnetic Fields – Distortion

This is, in my opinion, the best of The Magnetic Fields albums. It’s consistently awesome and sonically cohesive from beginning to end. Amazing lyrics too.

4. Beach House – Devotion

I’ve already mentioned Beach House before, but I would like to reiterate how great this album is.

5. Vampire Weekend – Vampire Weekend

I really didn’t want to like this band. They’re pretentious and contrived…but they still sound really good. I know it’s been said by countless other critics, but they sound like a Wes Anderson movie.

6. Portishead – Third

I think we might have all waited as long for this album as we did for that new Breeders album. Finally!

7. Fleet Foxes – White Winter Hymnal

I got turned onto this band courtesy of Kimber at Stinkweeds in Phoenix, AZ. Stinkweeds is one of my favorite record stores on earth and Kimber’s opinion seems to be pretty much always right. Everyone I know that I’ve played this Fleet Foxes album for as fallen completely in love with them.

8. Ratatat – LP3

This album sounds pretty much like the two albums before it, which is to say full to totally awesome instrumental jams. I suppose this one has slightly fewer guitars that sound like they’re from outerspace and more harpsichords and other obscure instruments.

9. Stereolab – Chemical Chords

Like Ratatat, Stereolab tents to put out pretty consistently similar albums, although this one seems to be a step up from their last couple efforts.

10. Kanye West – 808’s and Heartbreaks

I don’t even like Kanye West, but this album is amazing. It’s super dark and may possibly make you want to hang yourself after listening to it. 808’s and auto-tune throughout the whole album….what’s not to love?

Stay tuned for my upcoming list of the top songs of the year.

band of the week: beach house

I guess I was late to the game in discovering Beach House, which isn’t so bad because it means they’ve had time to put out two awesome albums (Beach House from 2006 and Devotion from 2008). They sound kinda like Mazzy Star only with drum machines and more keyboards. Most everything they do is down tempo and dreamy. Here’s the video for “Master of None” which is the first song of theirs I heard and totally got me hooked:

They’ll be coming to L.A. on Jan. 20th to open up for The Walkmen at The Henry Fonda Theater.

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